Prints Catalog

Master Prints from Two Centuries: Catalogue N. 3, 1988 (Year 21, Issue No. 210)
Master Prints from Two Centuries: Catalogue N. 3, 1988 (Year 21, Issue No. 210)
New York Views and other Fine American Prints: Further selections from the collection of Robert Fridenberg, Dean of American printsellers; October 8th, 1943; Sale Number 122
New York Views and other Fine American Prints: Further selections from the collection of Robert Fridenberg, Dean of American printsellers; October 8th, 1943; Sale Number 122
Catalogue of an Exhibition of Contemporary Botanical Art and Illustration: 6 April to 1 September, 1964
Catalogue of an Exhibition of Contemporary Botanical Art and Illustration: 6 April to 1 September, 1964
Drugs and Pharmacy in Prints: An Exhibition of Prints and Drawings from The Collection of William H. Helfand On the Occasion of Canada's Centennial: Toronto, Canada; August, 1967.
Helfand, William H.,
Drugs and Pharmacy in Prints: An Exhibition of Prints and Drawings from The Collection of William H. Helfand On the Occasion of Canada's Centennial: Toronto, Canada; August, 1967.
Books, Autographs and Photographs; Old Master, Modern and Contemporary Prints Including Property from the Collection of Norman Kraeft, November 7, 2006
William Doyle Galleries,
Books, Autographs and Photographs; Old Master, Modern and Contemporary Prints Including Property from the Collection of Norman Kraeft, November 7, 2006

Other Prints books that may be of interest:

Ficke, Arthur Davison Chats on Japanese prints. T. Fisher Unwin London 1922
456 p.

Ficke, Arthur Davison Chats on Japanese prints [n.p. n.d
p. cm.

Ficke, Arthur Davison Chats on Japanese prints T.F. Unwin London 1915
by Arthur Davison Ficke. Includes index. 20 cm. 456 p. ill. (1 col.) 20 cm. Dewey:769.952 Color prints, Japanese.

Ficke, Arthur Davison Chats on Japanese prints Frederick A. Stokes Company New York 1915
by Arthur Davison Ficke, with 56 illustrations and a coloured frontispiece. Printed in Great Britain. 21 cm. 2 p. l., 9-456 p., 1 l. incl. 56 pl. col. front. 21 cm. Color prints, Japanese.

Ficke, Arthur Davison Chats on Japanese prints. C.E. Tuttle Co. Tokyo, Rutland, Vt. 1958
With a preface by Gladys B. Ficke. 21 cm. 456 p. illus. 21 cm. Color prints, Japanese.

Ficke, Arthur Davison The ghost of Sharaku [Judson D. Metzgar] San Francisco 1951
by Arthur Davison Ficke. A skit.; "Two hundred and fifty copies printed"--Colophon. "Some copies [bound] in turquoise, others in green"--Heller.; "Privately printed."; References: Heller, E.R. Grabhorn Press, 507.; LC copy bound in turquoise. 29 cm. [11] p. 29 cm. Dewey:812/.52 Toshusai Sharaku; Prints, Japanese

Fletcher, John Gould Japanese prints The Four Seas Company Boston 1918
by John Gould Fletcher; with illustrations by Dorothy Pulis Lathrop. Illustrated lining-papers.; "An edition of 1000 copies only, of which 975 copies have been printed on olde style paper, and 25 copies on Japanese vellum."; Poems. 20 cm. 94 p., 1 l. col. front., illus., plates. 20 cm.

Metzgar, Judson D.; Gookin, Frederick William; Ficke, Arthur Davison; Kirby, Thomas Ellis Illustrated catalogue of the noteworthy collection of Japanese color prints American Art Association [New York 1916
the property of Judson D. Metzgar of Moline, Illinois : to be sold at unrestricted public sale on the dates herein stated ; the sale will be conducted by Thomas E. Kirby and his assistant, Otto Bernet, of the American Art Association, managers, New York. Priced (in manuscript).; Sale conducted November 13-14, 1916.; "Foreword" signed: Frederick W. Gookin.; "The Hiroshige prints in this catalogue have been described by the owner of the collection ; the figure-prints by Mr. Arthur Davison Ficke." 26 cm. [118] p., 27 leaves of plates ill. 26 cm. Metzgar, Judson D.; Color prints; Wood-engraving; Prints

Thoreau, Henry David, Walden The Bibliophile society, printed for members only, Boston, 1909
Limited to 483 copies. Printed on Holland hand-made paper. 3/4 vellum with chocolate colored boards. 2 vols., Crown 8vo. Illustrated with and Engraving and 9 palladium Photographic prints by Herbert Gleason [iv], xxxii, [ii], [errata slip at xi], 208; [iv], 263 pp, 2 frontispieces, engraved title pages with 2 facsimiles of Thoreau's manuscript. Half vellum and boards. In slipcase. ( Nine copies printed on Japan vellum, and illustrated with nine original silverprint photographs of Walden and environs by Gleason. With portrait frontispiece, title in two states, one on vellum, all etched and signed by William Bicknell. Sumptuously bound at the Harcourt Bindery, in brown morocco, gilt, with green foliate onlays. Spine gilt in five compartments with raised bands, decorated with red floral onlays and gilt leafy tendrils. The doublures, framed by gilt-ruled turn-ins, are of turquoise morocco with floral onlays in three colors and swirling vines in gilt. Watered silk endleaves.) 2 v. fronts. (v. l. port.) illus., plates, facsims. 24 cm Dewey:

Library of Congress Prints and Photographs Online Catalog

Numerous databases of photographs and prints at the Library of Congress

Library of Congress, Prints and Photographs Online Catalog

Cabinet of American Illustration, Cartoon Drawings: Swann Collection of Caricature and Cartoon, Civil War Photographs Civil War Photographs, Drawings (Master),Farm Security Administration/Office of War Information Color Photographs, Fine Prints Fine Prints, Posters: Performing Arts Posters, Stereograph Cards Stereograph Cards, Daguerreotypes, Fenton Crimean War Photographs, Fine Prints: Japanese, pre-1915, Lomax Collection, Panoramic Photographs, Thesaurus For Graphic Materials, Van Vechten Collection, Wright Brothers Negatives, and much more.

Renaissance Dante in Print (1472-1629)

THIS EXHIBITION presents Renaissance editions of Dante's Divine Comedy from the John A. Zahm, C.S.C., Dante Collection at the University of Notre Dame, together with selected treasures from The Newberry Library. The Zahm collection ranks among the top Dante collections in North America. Purchased for the most part by Zahm in 1902 from the Italian Dantophile Giulio Acquaticci, the 15th- and 16th- century imprints presented here form the heart of Zahm's collection, which totals nearly 3,000 volumes, including rare editions and critical studies from the Renaissance to the present. The nine incunable editions and nearly complete series of 16th-century imprints featured in this exhibit constitute essential primary sources for both the history of Dante's reception during the Renaissance and the early history of the printed book.

Thumbprints of Ephelia

Thumbprints of Ephelia (Lady Mary Villiers): The End of an Enigma in Restoration Attribution. Text, Image, Sound. With a first ‘Key’ to ‘Female Poems . . . by Ephelia’ (1679). by Maureen E. Mulvihill (Princeton Research Forum, Princeton, N.J.); Hosted by ReSoundings (Millersville University, Pa.; 2001, with annual updates).

Lady Mary Villiers, when as Mary, Lady Stuart, Duchess of Richmond & Lennox, with her dwarf, Anne Shepherd Gibson. By Sir Anthony Van Dyck, Court Painter for Charles I. London, circa 1636. Mulvihill reads this famous gloves-and-dwarf portrait of Duchess Mary as ingeniously encoded text for the Duchess’s sly method of manuscript transmission.

Quotes

"AS AN OLD MERCER"

As an old mercer in some sleepy town
Swings wide his windows new day after day,
Sets all his wares around in arch array
To please the taste of passers up and down, -
His hoard of handy things of trite renown,
Of sweets and spices and of faint perfumes,
Of silks and prints, - and at the last illumes
His tiny panes to foil the evening's frown;
So Nature spreads her proffered treasures: such
As daily dazzle at the morning's rise, -
Fair show of isle and ocean merchandise,
And airy offerings filmy to the touch;
Then, lest we like not these, in Dark's bazaars
She nightly tempts us with her store of stars.

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