Violin Catalog
Bach, Johann Sebastian, Konzert a-Moll fur Violine und Orchester, [Concerto, A minor, Violin and Orchestra] BWV 1041.
Bach, Johann Sebastian, Konzert fur Violine in E dur [Concerto E minor for violin]
Bach, Johann Sebastian, Dorffel, Alfred; Rust, Wilhelm, The complete sonatas and partitas for unaccompanied violin; The six sonatas for violin and clavier
Dialogos: para violin y piano.
Lavista, Mario, Dialogos: para violin y piano.
Violin Concerto in D Major Op. 35
Tchaikovsky, Violin Concerto in D Major Op. 35
II. Koncert skrzypcowy d-moll, Op. 22. IIe concerto pour violon en re mineur, Op. 22.
Wieniawski, Henryk [Henri]; Bury, Edward; Walacinski, Adam, II. Koncert skrzypcowy d-moll, Op. 22. IIe concerto pour violon en re mineur, Op. 22.
I. Koncert skrzypcowy fis-moll, Op. 14. Iier concerto pour violon en fa diese mineur, Op. 14.
Wieniawski, Henryk [Henri]; Walacinski, Adam; Bury, Edward, I. Koncert skrzypcowy fis-moll, Op. 14. Iier concerto pour violon en fa diese mineur, Op. 14.
Other Violin books that may be of interest:
- Adès, Thomas.; Eliot, T. S.; Williams, Tennessee; Anderson, Valdine.; Carewe, Mary.; Marsh, Lynsey.; Marwood, Anthony.; Hopkins, Louise.; Goode, David; Farr, Stephen. Life story EMI Classics New York, N.Y. 1997; p1997
Thomas Adès. For piano, clarinet, violin, and violoncello (1st work), piano (2nd and 6th works), prepared piano (3rd work), 3 chamber organs (4th work), or soprano and piano (5th and 7th works) ; the 7th work originally for soprano, 2 bass clarinets, and double bass.; Thomas Adès, piano (organ, 4th work) ; Valdine Anderson (5th work) or Mary Carewe (7th work), soprano ; Lynsey Marsh, clarinet ; Anthony Marwood, violin ; Louise Hopkins, violoncello ; David Goode and Stephen Farr, organ.; Recorded in London, England, Feb.-Apr. and May 1996.; Compact disc.; Song tests by T.S. Eliot (5th work) and Tennessee Williams (7th work) and program notes by Andrew Porter on container insert. 4 3/4 in. 1 sound disc digital, stereo. 4 3/4 in. Quartets (Piano, clarinet, violin, violoncello); Piano music.; Prepared piano music.; Organ music (Organs (3)); Songs (High voice) with piano.; Eliot, T. S.; Williams, Tennessee
- Adès, Thomas.; Eliot, T. S.; Williams, Tennessee; Anderson, Valdine.; Carewe, Mary.; Marsh, Lynsey.; Marwood, Anthony.; Hopkins, Louise.; Goode, David; Farr, Stephen. Life story EMI Classics New York, N.Y. 1997; p1997
Thomas Adès. For piano, clarinet, violin, and violoncello (1st work), piano (2nd and 6th works), prepared piano (3rd work), 3 chamber organs (4th work), or soprano and piano (5th and 7th works) ; the 7th work originally for soprano, 2 bass clarinets, and double bass.; Thomas Adès, piano (organ, 4th work) ; Valdine Anderson (5th work) or Mary Carewe (7th work), soprano ; Lynsey Marsh, clarinet ; Anthony Marwood, violin ; Louise Hopkins, violoncello ; David Goode and Stephen Farr, organ.; Recorded in London, England, Feb.-Apr. and May 1996.; Compact disc.; Song tests by T.S. Eliot (5th work) and Tennessee Williams (7th work) and program notes by Andrew Porter on container insert. 4 3/4 in. 1 sound disc digital, stereo. 4 3/4 in. Quartets (Piano, clarinet, violin, violoncello); Piano music.; Prepared piano music.; Organ music (Organs (3)); Songs (High voice) with piano.; Eliot, T. S.; Williams, Tennessee
- Aldrich, Thomas Bailey Marjorie Daw, and other stories. Garrett Press [New York] 0512000050 1969
Marjorie Daw.--Miss Mehetabel's son.--Our new neighbors at Ponkapog.--A midnight fantasy.--Mademoiselle Olympe Zabriski.--A struggle for life.--Père Antoine's date-palm.--Quite so.--A Rivermouth romance.--The little violinist. 19 cm. 287 p. 19 cm. Dewey:813/.4
- Aldrich, Thomas Bailey Marjorie Daw and other stories. Books for Libraries Press Freeport, N.Y. 0836932315 1969
Marjorie Daw.--Miss Mehetabel's son.--Our new neighbors at Ponkapog.--A midnight fantasy.--Mademoiselle Olympe Zabriski--A struggle for life.--Père Antoine's date-palm.--Quite so.--A Rivermouth romance.--The little violinist. 21 cm. 287 p. 21 cm. Dewey:813/.4
- Aldrich, Thomas Bailey Marjorie Daw and other stories. Houghton, Mifflin and company Boston New York 1885
By Thomas Bailey Aldrich. Series title also at head of t.-p.; Marjorie Daw.- Miss Mehetabel's son.- Our new neighbors at Ponkapog.- A midnight fantasy.- Mademoiselle Olympe Zabriski.- A struggle for life.- Père Antoine's date-palm.- Quite so.- A Rivermouth romance.- The little violinist. 2d ed. 17 cm. 287 p. 17 cm.
- Aldrich, Thomas Bailey; Pitman, Benn; Howard, Jerome B. The little violinist, and other prose sketches. The Phonographic Institute Company Cincinnati 1908
By Thomas Bailey Aldrich. In the amanuensis style of photography, by Benn Pitman and Jerome B. Howard. The little violinist.--Our new neighbors at Ponkapog.--A Christmas fantasy, with a moral.--Goliath.--The cruise of the Dolphin. 17 cm. 47 p. 17 cm. Shorthand
- Diesendruck, Tamar; Stevens, Wallace The palm at the end of the mind T. Diesendruck [S.l.] 1984; c1984
Tamar Diesendruck ; on a poem by Wallace Stevens. For alto, flute/piccolo, oboe, bassoon, trumpet, percussion, harpsichord, violin, and double bass.; Reproduced from holograph. 28 x 44 cm. 1 score (47 p.) 28 x 44 cm. Songs (Low voice) with instrumental ensemble; Stevens, Wallace; Music; Diesendruck, Tamar
- Goehr, Alexander; Kermode, Frank; Moore, Marianne; La Fontaine, Jean de; Shelton, Lucy.; Hulse, Eileen.; Leonard, Sarah.; Crayford, Marcia.; Nwanoku, Chi-Chi.; Brown, Ian; White, David; Wallace, John; Knussen, Oliver. Sing Ariel ; The mouse metamorphosed into a maid Unicorn-Kanchana Records London 1992; p1992
Alexander Goehr. The 1st work for principal soprano, 2 sopranos, and 5 instrumentalists; the 2nd for unaccompanied voice.; English words; text of the 1st work compiled by Frank Kermode from various sources; text of the 2nd work by Marianne Moore, after La Fontaine.; Lucy Shelton, soprano ; with (1st work): Eileen Hulse, Sarah Leonard, sopranos ; Marcia Crayford, violin/viola ; Chi-Chi Nwanoku, double bass ; Ian Brown, piano ; David White, tenor saxophone/bass clarinet ; John Wallace, trumpet ; Oliver Knussen, conductor.; Recorded in All Saints Church, Petersham, Dec. 9-10, 1991.; Compact disc.; Notes by Robin Holloway, with French and German translations, and vocal texts (15 p. : port.) inserted in container.; Durations: ca. 52:00; 13:29. 4 3/4 in. 1 sound disc (66 min.) digital, stereo. 4 3/4 in. Vocal trios with instrumental ensemble.; Songs, Unaccompanied.; Moore, Marianne
- Mouton, Charles; Gerwig, Walter Pieces for lute. [Sound recording] Heliodor HS25018. [1966] [n.p.]
"Electronically enhanced for stereo reproduction."; Walter Gerwig, lute.; Duration: 12 min., 3 sec.; Program notes by Norbert Dufourcq on slipcase.; Dialogue.--La malassis.--Le toxin.--La gaubade.--La changeante.--L'heureuse hymen.--L'amant content.; With: Boismortier, J. B. de. Daphnis et Chloe. Suite.--La Barre, Michel de. Pièces, flute & continuo, 2 livre. Suite, no. 9.--Leclair, J. M. Sonata, violin & continuo, op. 5, no. 6, C minor. p. 1/2 s. 12 in. 33 1/3 rpm. microgroove. stereophonic. Lute music
- Mouton, Charles; Gerwig, Walter Pieces for lute. [Sound recording] Heliodor H 25018. [1966] [n.p.]
Walter Gerwig, lute.; Duration: 12 min., 3 sec.; Program notes by Norbert Dufourcq on slipcase.; Dialogue.--La malassis.--Le toxin.--La gaubade.--La changeante.--L'heureuse hymen.--L'amant content. With: Boismortier, J. B. de. Daphnis et Chloe. Suite.--La Barre, Michel de. Pièces, flute & continuo, 2. livre. Suite, no. 9.--Leclair, J. M. Sonata, violin & continuo, op. 5, no. 6, C minor. p. 1/2 s. 12 in. 33 1/3 rpm. microgroove. Lute music
Quotes
from A Time of Gifts
No janitor was about. A young Benedictine, finding me loitering in the gatehouse, took me in tow, and as we crossed the first great courtyard, I knew I was in luck. He spoke beautiful French; he was learned and amusing and the ideal cicerone for all that lay ahead.Partick Leigh Fermor
Afterwards, it was in confused musical terms that the stages of our progress strung themselves together in my memory. This is how they resound there still. Overtures and preludes followed each other as courtyard opened on courtyard. Ascending staircases unfolded as vaingloriously as pavanes. Cloisters developed with the complexity of double, triple, and quadruple fugues. The suites of state apartments concatenated with the variety, the mood and décor of symphonic movements. Among the receding infinity of gold bindings in the library, the polished reflections, the galleries and the terrestrial and celestial globes gleaming in the radiance of their flared embrasures, music, again, seemed to intervene. A magnificent and measured polyphony crept in one’s ears. It was accompanied by woodwinds at first, then, at shortening intervals, by violins and violas and ’cellos and then double basses while a sudden scroll-work of flutes unfurled in mid-air; to be joined at last by a muted fanfare from the ceiling, until everything vibrated with a controlled and pervading splendour. Beyond it, in the church, a dome crowned the void. Light spread in the painted hollows and joined the indirect glow from the ovals and the lunettes and the windows of the rotunda. Galleries and scalloped baldachinos and tiered cornices rose to meet it; and the soft light, falling on the fluted pilasters and circles of gold spokes, and on the obelisks wreathed with their sculpted clouds, suffused the honeycomb side-chapels and then united in a still and universal radiance. Music might just have fallen silent; unless it were about to begin. In the imagination, instruments assembled—unseen cymbals just ajar that would collide with a resonance no more strident than a whisper; drums an inch below their padded sticks with palms ready to muffle them; oboes slanting, their reeds mute for a moment more; brass and woodwind waiting; fingers stretched motionless across wires of a harp and fifty invisible bows poised in the air above fifty invisible sets of strings.